With strong influences from Norwegian folk music, Mytevegar by Karl Seglem is a collection of progressive folk jazz that evokes these early customs through traditional instrumentation and spoken word.

Oftentimes, r&b strays so far from its jazz roots as to make the connection between the two somewhat difficult to see, but Stop Calling Me by Blaque Dynamite rekindles the abrasive jazz flame deep within r&b.

Even reading the lyric sheet with no audio will draw you into the darkest places within yourself, so the addition of the band’s raw yet thoughtful sound that rises and falls with every contour of the poetry all but forces you face-to-face with an incredibly honest mental mirror.

The internet generated tons of hype for a few of the more popular records that came out this week. However, that doesn’t necessarily mean that we here at Outside Noise were fawning over them. Read our thoughts below!

Simultaneously noisy and melodious, bright and sappy, catchy and novel, Supercrush by Blush unites the most potent pop elements of shoegaze, slowcore, and noise rock to create a record that won’t leave your weekly rotation anytime soon.

Metal roundups always bring the heat, but this week’s seems even more heavy than usual. Friday the 13th really brought the darkness out in the metal scene!

In many cases, our childhood memories are ones that stay with us. Even if subconsciously these early experiences influence our neural pathways, informing our future decisions and creative tastes. Finnish composer Islaja takes a deeply thoughtful approach to reflection in Angel Tape.

From the conventional to the downright strange, the world of underground dance gave us no shortage of music to move to this week!

Though Justin Walter maintains all the same technical chops as these people who are continually swinging for the fences, Walter chooses instead to create a miniature landscape, tending to each minute detail to bring the brightest luster out of the dimmest materials.

Experimental music often leaves plenty of room for listener interpretation, which allows for a more intuitive approach to challenging questions. And for a deeply conceptual record like RITUAL / HABIT / CEREMONY by John Dwyer of Osees, the felt presence of direct experience is highly encouraged.

Like a long-term nuclear waste warning message, Atrocity Machine uses sharp, evocative imagery to show that nothing good lies ahead on our current path.

Insistent 16th note bass lines with bright, washed-out guitars charge forward alongside indifferent vocals, Ragdoll Dance’s lyrics and old school punk attitudes retrofitted for a 2020s audience.

Somewhat operating within the vocal pop tradition of Weyes Blood, Morrison writes songs as extended poems with few choruses or hooks, assigning a set of unique musical motifs to each stanza to give her songs the feeling of slowly drifting from one thought to another.

Price of Progress by SMILE, a relatively straightforward post-punk record that substitutes the genre’s typical washed-out singing for spoken, socially conscious poetry.

From experimental vocal jazz to energetic, action-packed afrobeat, this week’s popular releases had it all! Come dive in with us!

Rage generally motivates the mic in hip hop, but a far more menacing, brooding, pure negativity permeates the sound of Cells Impact by Easymind and oddeen.

From the conventional to the downright strange, the world of underground dance gave us no shortage of music to move to this week!

Originally written while the artist was living alone in a foreign city and revamped following the onset of the pandemic, this dark wave post punk release exemplifies melancholy both instrumentally and lyrically.

We saw a ton of fantastic releases this week, but the real winners may be the diehard extreme metal fans. Here’s our breakdown of the amazing new material that came out this week!

Unschooling is clearly confident enough to experiment, feverishly stitching together familiar influences with an energetic yet lofi sound that inspires repeated listening.